Re-upholstery

Well-loved pieces, brought back to life.

A sound old frame is worth saving. We take chairs and sofas back to the bare wood, put right what's worn and rebuild them by hand — then re-cover them in a fabric you'll love for years to come.

Wingback armchair after re-upholstery, in a blue botanical print velvet After
The same wingback before, in a worn blue and yellow tartan
Before

What we do

From new seat cushions to a full rebuild

Full re-upholstery

Taken back to the bare frame, then rebuilt layer by layer — webbing, springs, stuffing and cover — so it sits as well as it looks.

Frame repairs

Loose joints and tired rails put right before any fabric goes on. With a joinery workshop behind us, a wobbly frame is rarely the end of the story.

Traditional detail

Hand-stitched edges, deep buttoning, pleated scroll arms and piping — the details that make an older piece look right again.

Leather & studwork

Buttoned leather and close-nailed stud trims, from an oak captain's chair to a velvet wing chair.

New seat cushions

When the frame and cover are sound but the cushions aren't, we'll make new ones — as we did for a leather Chesterfield below.

Your fabric, sourced

Choose from our fabric library, or tell us the fabric you have in mind — in most cases we can source it for you. Matching cushions too.

Before & after

Recent work from the workshop

Every piece here was re-upholstered by our team. Select any photo to see it larger.

Victorian tub chair before, in worn and faded gold velvet
Before
The tub chair after, deep-buttoned in fuchsia with lime-green piping
After
01

Victorian tub chair

Its gold velvet had worn through, so we stripped it back to the original stuffing and rebuilt it by hand. Re-covered in fuchsia with a deep-buttoned back, pleated arms and lime-green piping — plus a pair of matching cushions.

The chair stripped back, showing the original stuffing Close-up of hand-stitching on the arm Deep-buttoned back with lime-green buttons Pleated arm end with lime-green piping The finished chair with two lime-green cushions
Wingback armchair before, in a worn blue and yellow tartan
Before
The wingback after, in a blue botanical print velvet
After
02

Wingback armchair

Out went the tartan. We took this wingback back to the hessian and rebuilt it, then re-covered it in a botanical print velvet — piped along every edge, with the pattern placed across the wings, arms and seat.

The wingback stripped back to hessian Close-up of the piped scroll arm Close-up of the fabric corner above a leg The finished wingback from a three-quarter angle
Oak captain's chair before, its fabric seat and back worn through
Before
The captain's chair after, with a deep-buttoned oxblood leather back and seat
After
03

Oak captain's chair

An oak swivel desk chair whose seat and back had worn through. With the frame stripped back, it was re-covered in oxblood leather — a deep-buttoned back, a smooth seat and a close-nailed stud trim.

The oak frame stripped back Close-up of the deep-buttoned leather back Close-up of the stud trim on the outside back The chair from behind, showing the leather outside back
Wing chair before, with peeling vinyl arms and a worn check seat
Before
The wing chair after, in dove-grey velvet edged with studs
After
04

High-backed wing chair

Peeling vinyl and a tired check, replaced with a soft dove-grey velvet and a line of close-nailed studs that traces every edge of the wings and arms.

Close-up of the stud line on the arm Close-up of the shaped lumbar panel The chair from behind
Scroll-arm chair before, in a faded green paisley
Before
The scroll-arm chair after, in a pale herringbone check
After
05

Scroll-arm chair

A graceful scroll-arm chair, re-covered from faded paisley into a herringbone check — the pattern lined up down the back and across the seat, with neat pleats around each scroll.

Close-up of the fabric pleated around a carved scroll Close-up of the herringbone check fabric The chair from the side
Parker Knoll armchair before, as a bare wooden frame
Before
The Parker Knoll after, upholstered in a floral bird print
After
06

Parker Knoll armchair

A mid-century Parker Knoll, from bare frame to a botanical bird print — with the original Parker Knoll label kept on its spring rail.

Close-up of the bird print on the arm The spring rail with its original Parker Knoll label The finished chair from the front
Green leather Chesterfield before, with cracked and worn seat cushions
Before
The Chesterfield after, with new seat cushions in a woven check
After
07

Leather Chesterfield

The leather was worth keeping; the seat cushions weren't. We made three new seat cushions in a woven check, with scatter cushions to match.

The new seat and scatter cushions in the workshop Close-up of the check seat cushions The Chesterfield with its new cushions, back at home

How it works

Four steps to a chair worth keeping

  1. 01

    Send us photos

    Front, side and back, plus any damage and rough measurements. It's the quickest route to an accurate quote.

  2. 02

    Your quote

    We'll tell you what the piece needs, what it will cost, and how much fabric it takes.

  3. 03

    Choose your fabric

    From our library, or tell us the fabric you have in mind — in most cases we'll be able to source it for you.

  4. 04

    Into the workshop

    Stripped, repaired, rebuilt and re-covered by hand — then back to you, ready for its next lifetime.

Have a piece worth saving?

Send us a few photos and we'll tell you what it needs — and what it could become.

Get a quote